Period:Qing dynasty Production date:1650 (artist)
Materials:paper
Technique:painted
Subjects:landscape tree/bush
Description:
Album leaf. Landscape. Man sitting on rocks surrounded by trees. Inscription and colophons. Ink on paper.
IMG
Comments:The album format differed considerably from both the hanging scroll and handscroll in containing a series of intimate paintings in folding leaves. These were often by different artists or by a single artist. The present album contains eight leaves painted by six different artists for Zhou Lianggong, an official, writer and connoisseur of considerable repute. This album was one of a collection of albums Zhou made during the course of his journeys when friends presented him with paintings and others added poems and inscriptions to the paintings he already had. Zhou Lianggong was the author of a work entitled Record of Reading Paintings (Duhua lu) in which he wrote brief biographical sketches of contemporary artists he knew. He made frequent references to the paintings by these artists which he had in his collection of albums. Although this album has been remounted since the seventeenth century, the original silk borders have been retained to preserve the numerous inscriptions.
Materials:paper
Technique:painted
Subjects:landscape tree/bush
Description:
Album leaf. Landscape. Man sitting on rocks surrounded by trees. Inscription and colophons. Ink on paper.
IMG
Comments:The album format differed considerably from both the hanging scroll and handscroll in containing a series of intimate paintings in folding leaves. These were often by different artists or by a single artist. The present album contains eight leaves painted by six different artists for Zhou Lianggong, an official, writer and connoisseur of considerable repute. This album was one of a collection of albums Zhou made during the course of his journeys when friends presented him with paintings and others added poems and inscriptions to the paintings he already had. Zhou Lianggong was the author of a work entitled Record of Reading Paintings (Duhua lu) in which he wrote brief biographical sketches of contemporary artists he knew. He made frequent references to the paintings by these artists which he had in his collection of albums. Although this album has been remounted since the seventeenth century, the original silk borders have been retained to preserve the numerous inscriptions.
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