[Jin Nong Lishu Shen Zhou Narrative Axis]
“Shen Zhou Narrative” axis, Qing Qianlong, Jin Nong Shu, paper version, regular script, 155.4 cm in vertical direction, 36.9 cm in horizontal direction
This work is an allusion about Shen Zhou, reflecting his noble and elegant qualities without attaching importance to power. The “lacquer calligraphy” created by Jin Nong’s calligraphy, which passed between regular script and official script, is particularly ancient. This axis has multiple sides and sharp edges, with sharp corners and sharp edges. The starting and ending strokes are deliberately straight cut and formed. The horizontal strokes are thick and the straight strokes are fine. The strokes are often sent out using a rotary pen as a wave. Taking a comprehensive view of the full text, the strokes are square and thick, with a strong ink color, embodying the potential of Zhuan Zhou< Explanation: "The abbot of Cao, who has newly constructed a courtyard, wants to paint its verandah, which is recorded in the history of painting. Mr. Ishida's name is in the book. I took it. The gentleman said, 'Don't worry about my old mother, but don't dare to paint on the eve of the day.' The guest said, 'The abbot doesn't know who the duke is, so don't go on a tour of honor.' The gentleman said, 'To serve in honor is not to be humble, but to go on a tour of honor is to be humble.' The abbot of Cao has many generations, but if Mr. Shen, the prime minister of the city, really can't have many ears, it's not to be humble to go on a tour of honor. '". "The Five Sisi of Qianlong (1740, the fifth year of Qianlong's reign), aged in June of Geng Shen Run, collected the notes of the mountain people, Jin Nong, and visited the old house of the Li family at Chen Zhi Ma Bridge in Guangling.". Seal "Jinji Gold Seal" (White Seal), "Dragon Tiger Dingmao" (Zhu Seal)