Carved Silk New Shao Ruyi Map Axis

[New Shao Ruyi Map Axis of Kesi]

New Shao Ruyi Map Axis of Kesi, Emperor Qianlong of the Qing Dynasty, 59cm vertically and 38cm horizontally. The old collection of the Qing Palace
In the picture, there is a vase and a flowerpot, with camellias, plum blossoms, and pine branches in the vase, and ganoderma lucidum in the pot. The original painting is drawn using a simplified lowercase method, which combines sketching, boneless, color setting, and ink painting. The object image is concise and simple, the color setting is elegant and beautiful, and the pen is clumsy rather than skillful. It is quite similar to the style of Jin Nong of the Yangzhou School of Painting in the Qing Dynasty
The drawing axis follows a simple and elegant style of painting in the technique of tapestry, without any luxuriant and complicated technical changes. It mainly uses flat tapestry to express colors, uses structural tapestry and tapestry to express outline strokes, uses a wrap around the heart to express the layers of tea petals, and uses a composite color line to express the halo effect. Pine needles and ganoderma lucidum are all painted with pens, which better reflects the style of literati paintings that emphasize interest, light craftsmanship, and simplicity
This picture is printed with 5 pieces of the “Xinshao Ruyi Imperial Brush” style and “Xinzao Fa Chun Yan”, “Qing Gong Er Mu Mou”, “Fan Yi Chun Feng”, “Qian”, “Long”, etc
The “Treasure Collection of Shiqu” and “Collection of Books and Paintings in the Qing Dynasty” are described.