Black paint painted with gold, landscape, pavilions, handmade stove

[Black paint painted with gold landscape pavilions]

The black paint painted with gold landscape pavilions is clear and upright, with a total height of 14 cm, a length of 18.4 cm and a width of 12.9 cm. The old collection of the Qing Palace
The handcraft furnace is an irregular but very symmetrical oblong shape, and the bending shape of the lifting beam is in harmony with the shape of the furnace body. The furnace body is bright on all sides, opposite each other. The black paint floor in the open light is painted with gold paint to depict different landscapes. The composition of the picture is exquisite, and the layout is sparse and clear. The distant mountains and near rocks, pavilions and pavilions, trees and birds are all depicted in detail, just like meticulous paintings. Although the landscape with beautiful scenery is concentrated in square inches, it reveals a remote and profound artistic conception. The edge decoration outside the opening light uses the technique of painting gold and color paint to depict the flower patterns of tangled branches. A copper liner is hung inside the mouth. The cover is a dense net made of copper wire for ventilation. There is a round hole at the bottom to dissipate heat
The hand stove is a kind of appliance that people often use to warm their hands in winter. Generally, the basic shape is round and oval. Its structure is divided into two layers: shell and inner liner. The shell can be made and decorated by different processes. The inner liner is made of copper and is mounted on the opening edge of the shell to prepare for burning carbon. The heat is transmitted through the air between the inner and outer layers, making the shell warm and not hot
At present, from the perspective of handed down products, the earliest handcrafts appeared in the late Ming Dynasty. They were made by Hu Wenming and Zhang Mingqi, the famous bronze craftsmen. The former was famous for carving flowers, and the latter won by the pure leather color of the implements. In the court of the Qing Dynasty, there was an obvious increase in the variety of handicrafts for making handcrafts, including enamel, lacquerware, bronze, etc., so the artistic styles presented were also varied. Among them, the amount of lacquerware is very small, which is directly related to the high temperature resistance of its material. There is gray charcoal ash left in the interior of the furnace treasured by the Qing Dynasty Palace. However, the interior of this furnace is extremely clean and has no traces of use. It can be seen that it is not a practical tool for warming hands, but a handicraft for viewing and displaying, which is why its production is exquisite and the picture is exquisite. Although this fireplace has no Yongzheng style, according to the color and painting skills of gold painting, it should be the product of Yongzheng Dynasty.

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