[Hongli Picking Ganoderma Map Axis]
Picking Ganoderma Map Axis, Qing Yongzheng, paper, ink, 204 cm vertically and 131 cm horizontally
On the top right of the picture, Hongli said, “Where do you come from? The people in the capital of Qingdu are free and easy to love. The baskets are full of fairy rocks and ganoderma, and the sandals don’t tread on the earth. In the world of Penglai, the sky is in the mirror, and the scarves look like South China immortals. Who knows the true beauty of the year, the picture is made by accident. The Changchun resident said,” The seal of “Prince of Treasure” Bai Wenfang, the seal of “Changchun resident” Zhu Wenfang, the seal of “Prince of Treasure” and the seal of “Changchun resident” Zhu Wenfang, the seal of “Leshan Hall” white oval seal. On the left side of the painting, there is a long title of Liang’s poem, and the inscription “Yongzheng Jiayin Xia April Liang’s poem is written with the letter”, and there is a round seal of “Liang” in Zhuwen and a square seal of “Shizheng” in white. “Yongzheng Jiayin” is the 12th year of Yongzheng (1734). At the top of the painting are the seals of Emperor Qianlong, such as “the treasure of eight symbols and eight thoughts”, “the rare treasure of heaven in the Five Blessings and Five Dynasties Hall”, and “the treasure of the Supreme Emperor”
The picture shows a young man dressed in the Han nationality’s clothing, holding Ruyi in one hand and holding a sika deer with one hand, looking calm. There was a young man with a basket and hoe standing beside him. From his beautiful features and the shape of his melon face, it was somewhat similar to the young people’s appearance, and their face shape was very close to the “imperial dress image” when Hongli ascended the throne. According to the word “self-title” in the picture of Hongli’s poem, which is written by “Changchun resident self-title”, this picture should be a portrait of Hongli’s youth and youth. It is also known from the seal of “Prince Bao” stamped by Hongli that this picture should be drawn between the eleventh year (1733) and the thirteenth year of Yongzheng, that is, between the ages of 23 and 25, when Hongli was crowned “Prince Bao” by Emperor Yongzheng. According to the inscription of “Yongzheng Jiayin” on Liang Shizheng’s ink in the picture, it can be further determined that this picture should represent the portrait of Hongli at the age of 23 or 24
The figure in the figure is modeled by line drawing, the face is sketched by light ink, and the clothing pattern is painted by thick Moeller lines. The lines in the light, heavy, virtual, solid, rigid and soft changes accurately show the different body and appearance characteristics of the figure, which shows the author’s strong ability to shape with lines