Red sandalwood inlaid with nanmu painted with the screen of “The Five Classics Collection”

[Red sandalwood inlaid with nanmu painted with the screen of the Five Classics Collection]

In the Jiaqing period of the Qing Dynasty, the single leaf was 188 cm high, 38 cm wide, and about 230 cm wide, counting six
This screen is framed with red sandalwood, and the screen center is painted on both sides. Five horizontal plasters, and the center of the skirt is inlaid with a round embossed double dragon arch longevity pattern. The upper and lower part of the skirt plate and the pot door type tooth bar are embossed with double dragon arch longevity pattern and double dragon pattern respectively. In the center of the screen is the full text of the Collection of Five Classics by Emperor Qianlong of the Qing Dynasty. The picture and text are carved with golden nanmu, and the surface is painted with gold. The sub-part of the full text uses lapis lazuli fragments and turquoise powder in the form of magnetic cyan. The overall decoration of the screen is dignified and elegant, and the pictures and texts are full and unique
Imperial text:
“Although the matter is large, it is not about the integrity of the nature and the human heart, it should not be boasted that it is written and recorded. Although it is small, it is not about the integrity of the nature and the human heart. It should not be written and recorded. The record of the Five Classics in the extraction room is covered by the five Classics that are the same as what is said later. It is also about the knowledge of the Lady of the Nature and the Human Heart. It is also called a small matter. However, the five Classics carved by Yue Ke in the Song Dynasty are called small. However, when they are separated from each other at the age of six hundred, the matter is not small. Explain the great sages The five scriptures carved by Yue Ke can’t be recorded without writing. How can they be covered from the Zhaoren Hall, which was collected from the old plates of the Song, Yuan and Ming dynasties during the reign of Emperor Qianlong. The name of Tianlu Linlang is the name of Tianlu Linlang. At that time, there was the Spring and Autumn carved by Yue’s family. The origin of the book is not known. It is only the book of Tianlu Linlang, which is contained in the example of Spring and Autumn in the other department. Four kinds of Yishu poems and ritual records carved by Yue’s family can be recovered. However, the spring and autumn carved by Yue’s family can only be found because of the thought of Tianlu Linlang in the Spring and Autumn Period, or there is a detailed examination of the book In the autumn, the size of the board is consistent with each other. After each volume, there is a woodcut sub-form of the board. The Yue family has carved a book, and the Jing family school, that is, the size of the seal script is different. At the end of each page, there are carved articles, such as the Yao and Shun scriptures of the Book of Changes of Rites, the Divination Book of Heaven and Earth, and the best of the Song board is also rare. As for collectors, Yi Shushi covers the same books as the seven or eight classics, but slightly different collections. The four writers who collect the Spring and Autumn Annals and the three husbands of the Yue family can not be divided if they are both divided and luckily combined. However, the books recorded by Tianlu Linlang’s book Jiucheng are all stored in the Zhaoren Hall on the four-library classification shelf. The books obtained after the application should not be abandoned in the Imperial Garden’s Nurturing Room for the continuation of the Spring and Autumn Annals that have been withdrawn from the Zhaoren Hall so as to return the old five classics of the Yue family. After the hall is still in place, the so-called Shenjian De Room is divided into one column of its name, which is called Five There are many calligraphers in the scripture extraction room. The old ones can’t be fixed out of the Zhaoren Hall, and the new ones can also be listed in the old books. It seems that this position is suitable for me. All government affairs can also be as good as Xu Deyi. The so-called suitable ones also have people who are right in the heart of heaven and do not violate the purpose of the Five Classics. There are many calligraphers. If you divide and combine them, cover less, and choose good books, such as the example of the Song banknote. If you cut the original of the Five Classics to live a long life and come to the public, I will be grateful for the loyalty of Wu Mu and rejoice that it has a good name He also hated Gaozong of the Song Dynasty for his belief in treachery, and he avoided to repeat the match, and destroyed his Great Wall by himself. It also said that the reward of heaven was not good and the people were not good. Sima Qian complained that his words were not sincere enough to believe in the history. He also wrote in the middle of the new first month of Qianlong Guimao. “
The article describes the experience of the gathering of the Five Classics carved by Yue Ke of the Song Dynasty and the origin of the” Five Classics Collection Room “
This screen was originally displayed in the rear west room of the Zhaoren Hall on the east side of the Qianqing Palace. During the reign of Jiaqing, the Ganqing Palace caught fire, which affected the Zhaoren Hall. The screen of the Five Classics carved on the moon and the Five Classics Collection were all destroyed. Today’s Five Classics and the screen of “Five Classics Collection” are copied as they were after the fire in Jiaqing.