Wu Li Landscape Atlas

[Wu Li Landscape Atlas]

Landscape Atlas, Qing Dynasty, Wu Li painting, paper book, ink pen, 10 open, each open 23.2 cm vertically and 28 cm horizontally
This atlas has a full layout, a clumsy pen and ink, a rich flavor of literati painting, and has the charm of “elegance” pursued by the author. There is no model year. From the perspective of painting and calligraphy, it should be the masterpiece of Wu’s paintings in his later years
The first opening: self-awareness: “The most sparse place in the middle of the month is autumn, and the leaves slant and reflect the shallow waves. Once the long strip was given to the traveler, but now the yellow fall has not returned. Give the poem to the autumn willow, and combine the book. The Taoist Mojing.” Seal “Yanling” and “Mojing” Zhu Wenyin
The second opening: self-awareness: “The distant mountain is covered with smoke, and the setting sun is fishing. All the fishermen have gone home and crossed Hengtang alone. This is written in the summer book of the east building. Ink well.” Seal the two sides of “Fishing Mountain” Zhu Wenyin
The third opening: self-identification: “Lin Jiu calls for rain but not rain, and the mountain magpies call for sunshine. What is the meaning of the sound of the sun? I want to urge the ink to be made. After the plum rain, the Yanling calendar.” Seal the “Wu calendar” Zhu Wen seal, and the “Wu calendar seal” Bai Wen seal
The fourth opening: self-awareness: “There is no cloud in spring, and there is no flower outside the door. What is the tree on the well, and April is still dry. Yushanzi.” Seal the two sides of “Yushan” and “ink well” Zhu Wenyin
The fifth opening: self-identification: “The rain window of Taoist Mojing imitates the ancient times, and the bamboo intoxicates the sun.” Seal the two sides of “Yanling” and “Mojing” Zhu Wenyin
The sixth opening: self-awareness: “The trees are falling and the grass is withering. There is no one on the empty mountain, and the night is howling at the dodder. Taoist Mojing.” Seal “Wu Li Zhi Seal” Bai Wen Seal, “Yanling” Zhu Wen Seal
The seventh opening: self-identification: “The painting of the Yuan Dynasty is generally simple and interesting, with twists and turns and rhymes. On the day of the end of May, the ink well calendar.” Seal the “Wu calendar” and “Yushan” Zhu Wenyin
The eighth opening: self-identification: “At the place where the water is flowing, the sky is cold and the pine is colored. Taoist Mojing.” Zhu Wenyin sealed the two sides of “Yushan” and “Mojing”
The ninth opening: self-awareness: “The predecessors painted it carelessly, and it was naturally naive and gorgeous. One day after the Double Ninth Festival, Yushanzi was born.” The seal of “Yanling” Zhu Wenyin and “Wu Li’s seal” Bai Wenyin
The tenth opening: self-identification: “It is not to look at the mountains and paint the mountains, but to amuse the old people and not to return. It is discussed that the water is wide and there are many clouds, and the two rooms are randomly distributed. The Taoist Mojing returned from the upper ocean and wrote in the East Building.” The seal “Wu Li Zhi’s seal”, “Yanling’s seal”, and “Mojing’s seal”
There are 17 aspects in the collection, including “Xuzhai Approval” and “Laichen Heart Appreciation”


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