Wang Jianxi Pavilion Mountain Color Map Axis

[Wang Jianxi Pavilion Mountain Color Map Axis]

Xiting Mountain Color Map Axis, Qing Dynasty, Wang Jianhua, paper book, ink pen, 80.1 cm in vertical and 41 cm in horizontal
Self title on the top left of this picture: “Swallows fly low and do not move the dust, while nightingales are petite and do not prohibit spring. The east wind is green in front of the door, and the drizzle is filled with smoke and worries about passers-by. After burning the lamp, the guests think of the house, and the silence counts the crows in the door. Swallows do not return to the plum blossom, and the small window bright moon belongs to the pear blossom. Senior Ni has a view of the Xiting Mountain to the residence of Wang Wenke in the Tibetan Wu County, and then returns to Wang Chang’an. I have to look around for the rest of the time, and I do not know where they are now. Sitting idly under the red plum blossom, the wind and the sun are beautiful, and washing inkstone stretch out the paper, diffuse this idea, and do not ask for shape similarity Old Wang Jian. ” Seal “Wang Jianzhi” (white text), and affix “Laiyun Pavilion” (Zhu text). The collection is printed with “Treasure of Emperor Qianlong” (Zhu Wen) and “Collection of Paintings and Calligraphy of Baoyun Building” (Zhu Wen)
According to Wang Jian’s title, this painting is the painting of the scenery of the brook pavilion by Ni Zan, a native of the Yuan Dynasty. The depiction of mountains, rocks and trees adopts the expression method of withered and sparse square folding brush and light ink rendering, which has the characteristics of Ni’s brush and ink, and displays the natural, pure and elegant, indifferent and lofty, and timeless spiritual realm pursued by Ni’s just right. This shows the painter’s profound copying skills and his deep understanding and accurate expression of Ni’s painting style.