The preface to the orchid pavilion with double hooks in the wax version of “Gengxiaxi Pavilion Calligraphy” developed in the Qing Dynasty

[Qing Tuo’s “Gengxiaxi Pavilion Posts” waxy double-hook Lanting Preface]

Qing Tuo’s “Gengxiaxi Pavilion Posts” waxy double-hook Lanting Preface, brocade noodles. Rubbing, folded and installed, half opening 34.1 cm vertically and 17.5 cm horizontally
Gengxiaxi Pavilion, a collection of 4 volumes by Ye Yingyang in the 27th year of Daoguang’s reign (1847). It is carved from Wei Zhiming (the Three Kingdoms). According to the times, there are Wei Zhongyou, the “Two Kings” of Jin, Ou, Yu, Chu, etc. of the Tang Dynasty, Su, Mi, etc. of the Song Dynasty, Yuan Zhao, etc., and Dong Qichang of the Ming Dynasty. The seal has “Fu” and other seals. The preface to this orchid pavilion collected in the “Gengxiaxi Pavilion Calligraphy” contains more than ten words, such as “Shao”, with double hooks. The words are empty in the middle and not filled with ink. Later, there was a postscript by Cai Xiang that said, “The method of wax and double hooks has never been passed down in the world, but it was used in the calligraphy of the Tang Imperial Academy. This orchid pavilion covered the courtiers at that time, and the three seals at the end of the scroll said,” The words of the Imperial Academy “and” the seal of the Yanziku “. There was also a temporary official official official’s official name. After detailed examination, it would never be distorted. The title of Cai Xiang in Putian.” The first month of Jiayou’s first year “


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