Zhang Tingji’s seal script is a scroll of historical eulogy

[Zhang Tingji’s seal book, the Ding Ming axis of Linshi Song]

The Ding Ming axis of Linshi Song, Qing Dynasty, Zhang Tingji’s seal book, paper book, seal book, 137.3 cm in length and 30.9 cm in width
Interpretation:
In May of the third year, at Ding Si, the king was in Zongzhou, and ordered Shi Song to save Su, “0732”, the people of Youli, to be handsome in Chengzhou, and not to succeed. Su Binzhang, four horses and Jijin are used as “0005” Yi people. Praise its boundless future. Sun Yang’s “0096” order is used by his grandson Yongbao
Self-understanding interpretation:
Zhou Shisong’s dunwen has three parts in sixty, and the cover is lost. The Shen family of Tongyi Xinfang set up a pledge bank and obtained the dun at the bottom of Yaojialang, Jinshan County, Songjiang. I don’t know when it was transferred to Pinghu Qianzi Jiatianshu, and the rest was bought with 200 gold. In Zongzhou, the king ordered the history to celebrate the Chengzhou, which is the time of the Western Zhou Dynasty. My nephew, Xu Zhouzhuang, Tongbai, has a very detailed interpretation. He should lift the stones one day. In the tenth year of Daoguang’s reign, Gengyin learned and learned on April 29. He was 63 years old before Zhang Tingji
The seal of Zhang Tingji is stamped on five sides: “Zhang Shuwei”, “Tingji”, “Xinhuangli”, “Baorang”, and “Zhang Shuwei Zhong Dingxue”
This picture is recorded from the inscription of Shi Songding. Shi Songding, a food utensil in the late Western Zhou Dynasty. There are six lines of 63 words on the inner wall of the vessel. The content is that Shi Song, who was ordered by the king of Zhou to inspect the land of Su and was given by the guests, made this tripod to commemorate the event and praise the emperor of Zhou. Zhang Tingji is not only a epigrapher, but also a famous collector. He has a rich collection of Zhong Ding and Yi wares. Shi Songding is one of them. In his postscript at the end of the picture, Zhang elaborated on the collection of the tripod. This tripod is now in Shanghai Museum
This work was written in the tenth year of Daoguang (1830), when Zhang Tingji was 63 years old. Compared with the original inscription, the shape of the inscription is quite similar, but due to the different writing materials and writing tools, the strokes are soft, strong and flexible, which makes them flexible and flexible, showing the changes in the intensity of the strokes. The combination of antiquity and vividness is the aesthetic realm of calligraphy created by the calligraphers of the Qing Dynasty. Zhang Tingji’s work is a successful example.