The Qing Dynasty expanded the Western Han Dynasty and Yang [0489] bought the mountain stone carving

[Qing Dynasty and Western Han Dynasty Yang [0489] bought mountain carvings]

Yang [0489] bought mountain carvings, printed in ink, and mounted on a vertical shaft. This painting is 119 cm in length and 51.5 cm in width, of which there is about 43 cm square of Tuo Mo. The rest of the paper is the interpretation and postscript written by Xu Tongbo of the Qing Dynasty in the year of Daoguang Renchen (1832)
The inscription has five lines of official script and 27 words in total: “In October of the second year of the festival, the Bazhou Minyang [0489] bought the mountain, and the direct money was thousands of dollars. The operation was kept, and the children and grandchildren would never be replaced
The stone carvings were unearthed in Baxian County, Sichuan Province in the Qing Dynasty in the second year of Liuxundi Festival of Emperor Xuandi of the Western Han Dynasty (68BC). In the eleventh year of Daoguang’s reign (1831), he was brought back to Huzhou by Qian An’s father and given to Tonghao. Later, it returned to Wu Chongguang’s house and was destroyed in 1860, the tenth year of Xianfeng. The original stone rubbings are rarely circulated, and some are lifelike
The value of this stone lies in the scarcity of stone carvings in the Western Han Dynasty; The second is that its font is flat and square, and it is the earliest specimen of mature Hanli, which is highly valued by calligraphy historians
This book is refined in light ink. The seal has “Junchu”, “Junchu Income”, “Zhengzhai Jinshi”, “Zishan”, “Shuangxi Thatched Cottage”, “Kunling Lv’s Xinmu Collection of Calligraphy, Painting, Gold and Stone Tablets” and other seals
The main bibliographies include: the postscript of the stone and stone in the Stone Sutra Pavilion of Fengdeng Mansion in the Qing Dynasty, Hong Yixuan, the third continuation of the Pingjin Stone Reading Stele, Yang Duo, the record of the gold and stone in the Hanqing Pavilion, He Shaoji, the postscript of the gold and stone in the Dongzhou Thatched Cottage, Fang Shuo, the postscript of the gold and stone paintings in the Pillow Sutra Hall, Lu Zengxiang, the supplement and correction of the gold and stone in the eight Qiongshi rooms, Wang Yun, the book of the gold and stone in the twelve Yanzhai, and the modern Zhang Yansheng, etc.