Wang Jianfang’s Great Idiot Landscape Axis

[Wang Jian’s Imitation of Great Idiot Landscape Map]

The Imitation of Great Idiot Landscape Map axis, the seventeenth year of Shunzhi in the Qing Dynasty (1660), Wang Jian’s painting, silk version, color setting, 122.5 cm vertically and 61.5 cm horizontally
Self-recognition: “Gengzi imitates the idiocy in winter. Wang Jian.” Seal “Wang Jian’s seal” and “Xuanzhao”
On the top right of this picture is Wang Shimin’s question: “The four great masters of the Yuan Dynasty have different styles, and their origins should all be attributed to Dong Ju. The Xuanzhao county uncle has the expertise of Dong Ju, and his works are often unreal. This picture is copied by Dong Ju for a long time, and the texturing method is still used in the North Garden. It has the power of Dong Ju, and the charm of Zi Jiu. The bottle, plate, hairpin and bracelet are fused into a gold, even if the son has been reborn for a long time, the magic is not the same, and the real ancient and modern art is also unique. Yu Lao is dull, and he also wants to imitate the son for a long time, and the rough scab, and the farther away from each other. Today, see this masterpiece, the pearl and jade are on the side He was so ashamed of his filthy appearance that he wanted to burn his brush and ink stone. Alas! Gengzi Zhongdong Wang Shimin. The lower seal is “Wang Shimin”, “Xun Zhi”, and the initial seal is “Gui Estate”
“Gengzi” is the seventeenth year of Shunzhi in the Qing Dynasty (1660), when Wang Jian was 62 years old
Seal: “Xuzhai examination and approval”, “Laichen examination and verification of authentic works”
This picture, along the “S” shaped waterway, depicts the scenery on both sides of a river. It is skillful in writing and ink techniques, and the colors are beautiful and elegant, showing the natural weather of the deep and beautiful scenery in the south of the Yangtze River. The painting style of mountains, rocks and trees in the picture is mainly imitated by Huang Gongwang’s painting style, and the painting style of Dong Yuan and Song Juran shows Wang Jian’s mastery of ancient Chinese painting in his later years.