The preface to the Linlan Pavilion of Emperor Gaozong of the Song Dynasty

[Qingtuo Ansuxuan Stone Carving Preface to Song Gaozong Linlan Pavilion]

Qingtuo Ansuxuan Stone Carving Preface to Song Gaozong Linlan Pavilion, wooden face. The paper and ink are old, folded and bound, half open 32.5 cm vertically and 15.1 cm horizontally
The Stone Carvings of Ansuxuan, compiled by Bao Shufang in She County in the first year of Jiaqing, has been painted in ink from the Tang Dynasty to the Ming Dynasty. Each volume has the name of the official script Ansuxuan Stone Carvings. In the fourth year of Daoguang, his son Zhiting and Yueting were carved; A copy of Jiangdu Dang Xiling
This post is carved in the “Ansuxuan Stone Carving”, and the title of the single post is official script “Song Gaozong Book”; There is a border bar between the lines, with the inscription: “In the summer and May of the 19th year of Shaoxing, Chen Kangbo was presented”; There are carved by Chen Fanbao; “The treasure of Chen Fan, a minister of Shaoxing, on the fifth day of September of the Gengwu Festival.” and Xu Youren’s postscript; There are engravings: “Cao Rong’s private seal”, “the treasure of imperial books”, “Shaoxing”, “Chen’s treasure”, “Taishi’s Youren seal”, etc. The calligraphy style of this post is graceful, free and easy, natural and smooth, which is quite charming in the Wei and Jin dynasties. Gaozong of the Song Dynasty (1107-1187), named Zhao Gou, was the founding emperor of the Southern Song Dynasty, and was once named “King of Kang”. Zhao Gou is politically fatuous and incompetent, but he is good at calligraphy. Tao Zongyi of the Ming Dynasty said in the History of Calligraphy that “Gao Zong is good at truth, good at calligraphy and cursive calligraphy. He can do whatever he can.” His calligraphy influenced and controlled the Southern Song Dynasty calligraphy world. There are ancient calligraphies, such as the Cursive Script of Luoshen Fu and the Thousand Word Essay


册页5册页6