[Jiang Chenying Cursive Calligraphy Calligraphy Axis]
Cursive Calligraphy Calligraphy Axis, Qing Dynasty, Jiang Chenying Calligraphy, damask, cursive, 134.4 cm in length and 50 cm in width.
Explanation:
What I have said is that this fruit is good for my son. It looks like Brother Xingkou. Jiang Chenying
The signature of “Lin looks like Brother Xingkou. Jiang Chenying.” The seal of “Jiang Chenying” is white and “Ximing” is Zhu. Welcome the first chapter of “Old Yizhai” Zhu Wenyin. Jiancang printed “Xiaoheng Jiancang”
Jiang Chenying’s calligraphy pays attention to the law and observes the model. Respect the ancient and learn from the ancient, and on this basis, integrate to form its clear, vigorous, elegant and elegant style. People call his book “straight after the style before the Tang Dynasty”. He said: “Yu Yu is not brave enough to call himself a family, and he can imitate it to learn.” This work is a copy of Wang Xizhi’s “Seventeen Notes”, which is fluent in writing, clear and simple in rhyme, and quite elegant.
![图片[1]-Jiang Chenying Cursive Script Calligraphy Axis-China Archive](https://chinaarchive.net/Qing dynasty/model calligraphy/26088[1024].jpg)
![[Qing Dynasty] British female painter—Elizabeth Keith, using woodblock prints to record China from the late Qing Dynasty to the early Republic of China—1915-China Archive](https://chinaarchive.net/wp-content/uploads/2022/11/image-191x300.png)
