Wang Hui Autumn Tree Crow Chart Axis

[Wang Hui’s Painting Axis of Crows in Autumn Trees]

The Painting Axis of Crows in Autumn Trees, painted by Wang Hui in the Qing Dynasty, paper version, color setting, 118 cm vertically and 74 cm horizontally
This self-titled seven-character poem is signed: “The small pavilion is more beautiful in the evening near the stream, and the crows gather around the eaves of the autumn trees. When to borrow the west window couch again, we will taste the tea in detail relative to the cold lamp. We will supplement the Tang Jieyuan poem. The second day before the first moon of Renchen, Wang Hui, a scholar of tobacco cultivation, will seal the seal of” Wang Hui “,” Cheng Huai “,” Bu Er Fa “,” Lai Qing Pavilion “Zhu Wenyin, and” Qinghui old man will have one in his eighties “Bai Wenyin
“Ren Chen” is the 51st year of the reign of Emperor Kangxi of the Qing Dynasty (1712). The author was 81 years old
This picture was collected by Sun Yuwen and Pang Laichen at the end of the Qing Dynasty, with the following eight seals: “True Appreciation of Laishan” and “Identification of Xuzhai”
This picture is based on Tang Yin’s poetry of the Ming Dynasty. The composition reflects each other, expanding the spatial level of the picture, and achieving a steady and distant trend. The strokes are skillful and vigorous, and the style of painting is beautiful and elegant, which is deeply rooted in the rich and gloomy scenery in the south of the Yangtze River. The jackdaws fluttering and flying in the painting show the noisy scene when the crows return to their nests, which is the prelude to the silence of the autumn forest, and has the artistic effect of “birds sing more quietly in the mountain”. As the representative work of Wang Hui in his later years, this picture not only shows the painter’s profound brush and ink skills, but also shows his profound cultural accomplishment and light and simple literati painting style.