Blue-and-white flower-and-bird pattern plate

[Blue and white flower-and-bird pattern plate]

Blue and white flower-and-bird pattern plate, Ming Wanli, height 3.7 cm, caliber 21 cm, foot diameter 14 cm
Skimming mouth, shallow wall, bottom collapse, foot circle. Full body blue and white decoration. The center of the plate is painted with flower and bird patterns, the inner wall is painted with eight groups of brocade and open light, the open light is painted with flower and fruit patterns, and the outer wall is painted with open light and deformed ganoderma lucidum patterns. Apply white glaze inside the circle foot. No style
In terms of decoration methods, in order to meet the needs of export sales, the Jingdezhen folk kilns in the Ming Dynasty changed the traditional way of dividing decoration areas and levels from top to bottom, and created a new decorative pattern with unique characteristics of the times, which opened up a new successful way for the innovation of China’s porcelain decoration. In the late Ming Dynasty, a large number of blue-and-white porcelain plates were produced, which had both the traditional style of the oriental nation and were full of strong exotic tastes. The inner wall of the porcelain plate had 6 to 8 bright lights, and the bright lights were painted with various brocade patterns, ribbons and wreaths. The center of the plate is painted with Yunlong, Bogu, Shuanglu or other themes. This kind of utensil has been unearthed to different degrees in all parts of Jiangxi Province, and there are also a certain number of collections in foreign museums. In the United States, Germany, the Netherlands, Japan, and even Spain and Iran, imitation has been carried out. This kind of porcelain, called “Jialu” in Europe and “Furong hand” in Japan, was one of the important varieties of export porcelain at that time, adding new content and form to China’s porcelain decoration.

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