Blue and white pine, bamboo and plum pot

[Blue and white pine, bamboo and plum pot]

Blue and white pine, bamboo and plum pot, Ming orthodox, 33 cm high, 17.5 cm caliber, 17.5 cm foot diameter
The pot has a straight mouth, short neck, full shoulder, bulging belly, gradually adduction below the belly, and round foot. The shape is dignified and full. Full body blue and white decoration. The neck is decorated with honeysuckle pattern, the shoulder is decorated with peony pattern, the belly is painted with pine, bamboo and plum patterns reflected by the moon, supplemented by flowers, grass, slope, ganoderma lucidum, etc. The deformation lotus petal pattern is painted near the foot. No glaze on plain bottom. No style
In the orthodox Ming Dynasty, the style of porcelain production, whether in shape, pattern, or blue and white color, is similar to that of the official kilns in the late Xuande period, which is the continuation of Xuande porcelain style, but has evolved and innovated in production. There are two kinds of blue and white materials used in the orthodox blue and white porcelain. One is the imported blue and white materials used in the Yongle and Xuande periods, and the blue and white color is rich and colorful; The other is the domestic blue material, which is light in color and gray-blue. During this period, the domestic blue material began to be used mostly. The shape is directly inherited from the Xuande implements, and the shape is full. Compared with the Xuande period, the bottles and cans are not much different, but the mouth part of the implements is slightly closed in the orthodox period, which is slightly different from that of the Xuande period; In terms of the body lines, the changes of the lines are relatively gentle when orthodox, and obvious when Xuande. In terms of pattern layout, the orthodox blue and white ware is also the continuation of Xuande blue and white ware. The bottle and pot are mostly arranged in three sections: shoulder, abdomen and foot. The cloud pattern on the porcelain in Yongle and Xuande dynasties was widely used in the orthodox dynasty, and the painting method of outer thick line and inner thin line was also generally used.

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