Dong Qichang’s Running Script Poetry Axis

[Dong Qichang’s running script poetry axis]

The running script poetry axis, Ming Dynasty, Dong Qichang’s book, damask book, running script, 256 cm vertically and 48.4 cm horizontally
Interpretation:
Shishi Kuizhang is to be interviewed and edited. The Junjia has its own old green carpet. If you are angry with the Lord, why should you lose your salary
On February 9, the second year of the Heavenly Apocalypse, I visited your nephew Yu Nian. At that time, Mi Youshi paid tribute to Jinhua with a long life. Six times the Jin Tomb was gathered in Junyu Zhai. Tomorrow, he will look at the famous paintings in the calligraphy collected by Junyu III. Dong Qichang. “
Seal “Taishi”, “Xuanzai of Dong” and “Xuanshanzhai”. At the bottom left of the picture is a postscript by Wang Shu of the Qing Dynasty
This volume will be opened in the second year tomorrow (1622), when Dong Qichang was 68 years old. According to the 288 records of the History of the Ming Dynasty, Dong Qichang, who had just been promoted to be the minister of the Taichang Temple and a bachelor’s degree, was sent to the south of the Yangtze River to collect and collect the notes of the previous dynasties and their remains. He took this opportunity to visit the book with the order, and visited the famous paintings of calligraphy in the south of the Yangtze River with Mi Wanzhong and other friends. This ink mark is the author and Mi Shi who “wrote the chronicle of this old work” after viewing the famous paintings in the Dharma script collected by the collector Tang Jun Yu Fu Zhong III in the Jin Mausoleum. Wang Shuba of the Qing Dynasty called it “the most interesting work of Wen Min”
According to the paragraph in Volume 28 of Shiqu Treasure Collection, “Dong Qichang’s Poems Manuscript of the Ming Dynasty Volume 1”, “all the poems written in the style of Minan Palace are written in the style of running script.” This axis of calligraphy has both the meaning of Mi Fu’s calligraphy and its own style. The strokes are changeable, clumsy and skillful, simple and natural, elegant, and is one of the best works of Dong’s running script.