Ding Kiln White Glaze Carved Qianlong Imperial Poetry Bowl

[Ding Kiln White Glaze Carved Qianlong Imperial Poetry Bowl]

Ding Kiln White Glaze Carved Qianlong Imperial Poetry Bowl, Northern Song Dynasty, height 6.1 cm, caliber 16 cm, foot diameter 5.4 cm
The bowl is open, with deep arc belly and round feet. The whole body is glazed inside and outside, the glaze color is gray, and the edges of the mouth and feet are inlaid with copper gilt gold buckles. On the outer wall, the poem “The ancient jade bowl with the porcelain bowl is suitable for chanting”, which was made in 1790 in the fifty-fifth year of Qianlong Emperor’s reign, is engraved: “It is said that the bowl has never existed in the past, and the cradle has never been. It is said that the ancient jade is not the material of the present. It is also said that the bowl is a bowl, which is different in size. Speaking of the language and dialect, it is not certain at the beginning. However, in the inner mansion, four or five see its best. In the three generations of Yuxu, the bowl is actually harmonious. The two bowls and the cradle are not separated, but one is left to chant and cut. The rest of the porcelain is also enough for the Qing Dynasty to accompany. It is said that the jade bowl is not good for a long time. It is not allowed to be placed without a bowl, and the Ding kiln chooses one. The bowl is full of the cradle hole, and the round peg is all in one. It is difficult to push forward the idea of separation. At the end of the Five-character Period, Fengcheng has no regrets. ” Later, it was signed with the “Qianlong Gengxu Spring Imperial Inscription”, and stamped with the two seals of “knowing not far” and “De Chong Fu”
Emperor Qianlong was the feudal emperor who liked to write poems the most. During his reign, he published five collections of imperial poems, including nearly 200 hundred poems on porcelain and 32 poems on Ding Kiln. After the poem on porcelain was finished, the emperor would order the court craftsman to engrave it on the implements. Some of the works that have been handed down to now provide a direct clue to the appreciation standard of Ding kiln porcelain in the Qianlong Dynasty. Among the porcelain in the Palace Museum, there are 6 pieces inscribed with Emperor Qianlong’s poem on Ding kiln porcelain. According to current research, only this bowl and two pieces of round washing are Ding ware works of the Song and Jin dynasties, and the rest are imitation Ding ware made by other kilns or later generations. However, there is no need to treat the present and the past as such. With the deepening of archaeological excavation and academic research, the number of Ding kiln porcelain has far exceeded the collection of the Qing court, and with the use of various modern scientific and technological means, people’s understanding of Ding kiln porcelain should be higher than the era of Emperor Qianlong


定窑白釉刻乾隆御制诗碗碗心定窑白釉刻乾隆御制诗碗碗底