[Song Tuo Song Gui Tang Calligraphy]
Song Gui Tang Calligraphy, carved in the Southern Song Dynasty, expanded in the Southern Song Dynasty, one volume, 32 volumes of ink paper, 37.1 cm vertically and 16.8 cm horizontally in each half
This post is made by Mi Ju [0703], the great-grandson of Mi Fu, a calligrapher and painter of the Northern Song Dynasty, who copied the stone rubbings in his family calligraphy. The front page is carved with the seal script “Baojinzhai” and the running script “Haiyue”. This post includes Xie An’s “August 5th”, Wang Xizhi’s “Wang Lue” and Wang Xianzhi’s “December”, as well as the inscriptions and postscripts of Mi Fu, Mi Youren and Mi Ju’s “0703”. Mi Fu believed that Xie An’s calligraphy level was above that of Wang Xizhi and Wang Xianzhi’s father and son, and his “August 5 Postscript” was the best of them; Wang Xizhi’s cursive script, except for “Wang Lue Tie”, is all fake; The “December Posts” is an important book post of Wang Xianzhi. The “Mid-Autumn Festival Posts” is named after the first six words of “December Cut to No” in the “December Posts” are lost, starting from the word “Mid-Autumn Festival”. Therefore, for the three posts of Xie An and Wang’s father and son in the Eastern Jin Dynasty, Mi Fuzhen was as precious as treasure, so he named the house “Bao Jin Zhai”, which means “treasure has the ink of the Jin Dynasty”. This copy of the calligraphy is excellent, and it is the best copy of the calligraphy of the Song Dynasty
At the end of the Ming Dynasty, this post was collected by Yuan Shu of Suiyang, with the seal of “Yuan Boying’s Collection of Books in Litai, Ming Dynasty”; After that, he hid the seal of “Yuhong Building”, which bore the seal of “Yuhong Building”; It was purchased by Weng Tonghe in the early years of Guangxu and stamped with “Weng Tonghe Seal”; After that, they traveled to Japan. The plaque is mounted with the inscription “Song Tuobao Jin Zhai Tie” in Yuyexue Village, and the inscription of Wang Duo of the Qing Dynasty and married Wang Yongyu is attached. At the end of the year, there were two postscripts by Weng Tonghe, which described the purchase process and verified the collection and transmission. Weng’s Ba Yun said that Mi Ju [0703] in Lushan “built Songgui Hall with good people, so it was named Songgui Hall”
Cheng Wenrong’s “Nancun Tie Kao · Songgui Tang Tie” and other books
In 1995, a Japanese friend Yuno Xuecun donated this post to the Palace Museum.
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