Song Mi Fu’s Preface to the Orchid Pavilion

[Preface to the Orchid Pavilion Titled by Song Mi Fu]

Preface to the Orchid Pavilion Titled by Song Mi Fu, paper edition, running script, 24 cm vertically and 47.5 cm horizontally
Narration: Youmi, surnamed Mystery, ranks first in the world. After receiving this book, Emperor Taizong of the Tang Dynasty, such as Feng Chengsu, Han Daozheng, Zhao Mo and Zhuge Zhen, copied it to the prince. When Chu Suiliang was a living boy, he was just a school inspector. This axis is in the Su family and is named Chu Mo. It is easy to correct the wrong number when looking at the meaning. It is really Chu’s pen. The rest are double hooks, fresh and delicate, with full folding power. It is the same as the truth, which is beyond the reach of those who know books. It is the workers who make what the world receives, whether fat or thin, and it is based on this
If you are a guest star, you won’t be rewarded. The spring stone is rolled and the calligraphy is flowing. Play and talk about the standard, and keep the book in the style of horse (Rong). In the gloomy Zhaoling, valonia has come out. Rong Wen has no class. What is the difference between water and moon. Embroidered gold, Yaoji cotton. Hold the two yuan chapter and keep it
Yuan You Wuchen won this book. In June of Renwu in Chongning, the big river, Jichuan Pavilion Boat and Zijin Summer Resort Handwear. Mi Fu
This volume is a postscript written by Mi Fu, in which Chu Suiliang copied the Preface to the Orchid Pavilion. The Preface to the Orchid Pavilion before the postscript is no longer a copy of what Mi Fu saw. It was replaced when Anqi’s “Moyuan Huiguan” was recorded in the Qing Dynasty, but the postscript of Mi Fu is still authentic. The content of the postscript is slightly different from the records in the “Collection of Forest Collections of Baojin Mountain”. This postscript was written in the first year of Chongning in the Northern Song Dynasty (1102), when Mi Fu was 52 years old. His small script was exquisite and beautiful, which was the typical style of his self-styled “postscript”
After this volume, there are many Ming people’s inscriptions, as well as the collection and seal of Chen Jixi, Xiang Yuanbian, Bian Yongyu, Yongyu and others in the Ming and Qing dynasties