[Preface to the Orchid Pavilion of Xuancheng in the Song Dynasty]
Preface to the Orchid Pavilion of Xuancheng in the Song Dynasty, brocade noodles, and Wang Shuchang’s running script are inscribed with “The Orchid Pavilion of Xuancheng in the Song Dynasty”. On the front page, there is a signature of Weng Fanggang’s official script, “One of the Hundred Kinds of Tibetan Orchid Pavilion, Prime Minister of the Song Dynasty”. Three open, white paper cut and inlaid with butterfly. The ink paper is half open, 25.2 cm vertically and 15.4 cm horizontally
It was originally bound in volumes and then changed into volumes. The decoration is typical of the orchid pavilion in the collection of tourists: light blue waterproof decoration; The seal has a You-like seal, and the original Song paper has a small signature of “B 3, Xuancheng Ben”. The note on the left of the third page is titled “Right Xuancheng Ben”
This post should be a Dingwu series, with boundary, and the words “Sheng” have been damaged. This poster is engraved with 28 lines of the original text of the Orchid Pavilion and small script: “Lanting Xucao, the right army’s most successful book in its life, will be thought by later calligraphers. In the Tang Dynasty, such as Yu Shinan, all of them have tried to copy it. After the recent war, few of them have survived. Now Zhao Jieran, the governor of Xuancheng, heard that the patriarch Ming Yuan had an old collection. He looked at it because he came out, and sighed with each other, saying that it was really Yongxing. He ordered his work to stick to the stone again, making it popular everywhere. A few scholars of calligraphy and painting saw the beauty of calligraphy and painting again. In March of the fifth year of Shaoxing (1135), Gengyin Yuanxun did not fight.”. The attached page contains postscript of Weng Fanggang, Chen Li, Kong Guangtao, and half-idiot Taoist
Seal “You’s Book”, “Treasure Secrets”, “Clear Appreciation of Calligraphy”, “Seal of Jin’s Calligraphy and Painting”, “Seal of Jingdezang Book”, “Use of Yongbao for Children”, “Book of Jin’s House”, “Zhao’s Meng Lin” and other seals. “Anyi Zhou’s Treasure”, “Gao’s World Treasure”, “Li Zonghan’s Seal”, “Gao’s Collection of Rare Ancient Carvings”, “Li’s Treasure”, “Treasure” and “Yuncen Identification”, etc. The attached pages contain postscripts of Weng Fanggang, Chen Li, Kong Guangtao, and the half-idiot Taoist, as well as Tibetan and Indian works such as “Korean” and “Linchuan Li”
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