[Dangyangyu Kiln White Glazed Flower Removing and Entangled Chrysanthemum Vase]
Dangyangyu Kiln White Glazed Flower Removing and Entangled Chrysanthemum Vase, Song Dynasty, 34.5cm high, 16cm caliber, 12.6cm foot diameter
There are five layers of decorative patterns from the mouth to the lower part of the abdomen, which are flower and leaf patterns, echo patterns, intertwined peony, echo patterns, and flower and leaf patterns. This jar has bright colors, strong contrast and vivid ornamentation
The way to remove the porcelain is to apply a layer of pure white cosmetic soil on the taupe tire, draw the pattern, and then remove the white cosmetic soil on the ground outside the pattern to reveal the taupe tire, forming a dark floor to set off the decorative effect of the white pattern. During the Song and Jin Dynasties, some porcelain kilns in Shanxi, Hebei, Henan, Inner Mongolia and Ningxia in northern China, in order to solve the disadvantages of the insufficient purity of local porcelain raw materials to the production of porcelain, opened up a new way of decoration, using the covering ability of makeup clay or black glaze, adopted a large number of white or black glaze flower removal decoration, forming a new decorative style, among which the products of Dangyangyu kiln in Henan Province are most popular.
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