Song Tuo, Sui Zhiyong, Gencao, thousand words volume

[Song Tuo Sui Zhi Yong Zhen Cao thousand words volume]

Zhi Yong Zhen Cao thousand words volume, single post, monk Zhi Yong book in the Southern Dynasty Chen and Sui Dynasties. Xue Sichang was copied in Xi’an, Shaanxi Province in 1109, the third year of Daguan in the Northern Song Dynasty, commonly known as “Guanzhong Ben”. Where there are eight stones, each stone has 27 rows. The regular script and cursive script are written between two lines, each with 12 words. The original stone is stored in Xi’an Stele Forest Museum, Shaanxi. The authentic works of Zhiyong’s “Thousand Words of True Grass” were rare in the Tang Dynasty, and even more difficult to see in the Song Dynasty. There are three main types of books that have been handed down to date. One is the ink book that was handed down in Japan in the Tang Dynasty; The second is Xue Sichang’s engraving in the third year of Daguan in the Northern Song Dynasty (1109); The third is the 40-line version of “Qun Yu Tang Tie” in the Southern Song Dynasty. The style of these three books is relatively consistent
The rubbings collected in the Forbidden City are Song Tuo, 27 in total, with each half width of 23.8 cm vertically and 11.5 cm horizontally. The words are clear, and the strokes are more bright and plump. Mr. Tang Lan was appraised. There are three inscriptions: Zhu Yishu II and Wang Duoshu I. There is an inscription and postscript on the attached page. Seal: “Wang Yong’s Seal”, “Gu Pisheng”, “Banana Forest Collection”, and “Secretary of Liuzhitang Treasure Pictures”. Rubbings are painted in thick ink, and white hemp paper is cut, cut and framed. The paper and ink are pure and ancient. The decoration is exquisite, with a light brocade surface and a nanmu frame outside. The style is elegant and noble. There are two lines of characters in small script, “Nephew Fang Gang Mo” and “Li Shouyong, Shouming Periodical”, after the postscript of Xue’s Grand View. These words are not complete in the later rubbings. Rubbings were originally collected by Mr. Zhu Yiyi and later donated to the Palace Museum. In Zhiyong’s “Thousand Words of True Grass”, its true book is round, vigorous and elegant, and its cursive writing is beautiful and appropriate. Su Shi’s postscript on Dongpo said, “The book of Yongchan is deep and stable in spirit, and has both body and beauty. It is extremely refined and capable, and it can be used to create and dilute.” The inscription is recorded in Guo Zongchang’s History of Stone and Gold in the Ming Dynasty, Sun Chengze’s Records of Gengzi’s Sale of Summer in the Qing Dynasty, Gu Yanwu’s Records of Stone and Gold, Wang Chang’s Collection of Stone and Gold, Zhang Yansheng’s Records of Good Tablets, and Yang Zhenfang’s Records of Tablets.

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