Song Tuo buried Heming in the Southern Dynasty

[Buried in the Southern Dynasties of the Song Dynasty]

Buried in the Crane was originally carved on the cliff stone at the west foot of Jiaoshan Mountain in Zhenjiang, Jiangsu Province. In the Song Dynasty, it was struck by lightning and fell to the Yangtze River. The stone was broken into five pieces. In the 52nd year of the Kangxi reign of the Qing Dynasty (1713), Chen Pengnian recruited workers to move them to the mountain and then built them into the walls of Dinghui Temple. The remnant stone remains today and is displayed in the stele pavilion in the courtyard of Baomo Pavilion Stele Gallery. The book is 88 words in total, with the left line of the text
It was written by Huayang Zhenyi, who went to Huangshan to cut books. The predecessors have different opinions about their times and authors. Song Su Shunqin’s poem said: “The goose sutra is not seen in the mountains, and the inscription of the crane is buried in the mouth of Beijing.” It is believed that it was written by Wang Xizhi of the Eastern Jin Dynasty, some people said it was written by Gu Kuang of the Tang Dynasty, and some people thought it was written by Wang Kuang of the Tang Dynasty. Huang Bo, a famous gold and stone writer in the Song Dynasty, thought about Liang Tao Hongjing’s book, the Ming capital Mu’s “Jin Xie Lin Lang”, and Gu Yanwu’s “Records of Gold and Stone Characters”
The font of Buried Crane is thick and ancient, and sparse and distant. The original text is written on the cliff, so the density of its lines, the number of characters, and the size are different. There is a strong flavor of the Six Dynasties between the lines. Scholars and calligraphers of all dynasties have praised this very much. Huang Tingjian of Song Dynasty thought that “the big characters have not been” buried in the crane “. Huang Bosi said, “Xiao Yuan is elegant, if he is a person.” Cao Shimian of Song Dynasty said, “The calligraphy of Buried Crane in Jiaoshan is crowned by the calligraphy of a calligrapher.” The calligraphy of Buried Crane has a great impact on later generations, and has been the style of regular script since the Sui and Tang dynasties. Huang Tingjian’s calligraphy is based on this
This rubbings is a Song Tuo Yangshi book collected by the Palace Museum. It is a fine rubbings before falling into the water. It is more than 30 words in total. Pan Ning’s autograph, Wang Wenzhi, Pan Ning, Tie Bao and other postscripts. There are “Youxiang” seals, Fei Zhaokun, Chongsi private seals, and Tiebao private seals. Shibin, Shiwuzhai Treasure and other 23 seals
This inscription is recorded in Song Chensi’s “Treasure Carving Series”, Zhao Mingcheng’s “Jin Shi Lu”, and Ming Du Mu’s “Jin Xie Lin Lang” and other books.

瘗鹤铭-碑文之二瘗鹤铭-碑文之三瘗鹤铭-碑文之四瘗鹤铭-碑文之五瘗鹤铭-碑文之七瘗鹤铭-碑文之八