Preface to Wu Lan Pavilion in Tuoding, Song Dynasty

[Preface to Wu Lan Pavilion in Song Tuo Ding]

Preface to Wu Lan Pavilion in Song Tuo Ding] Volume, with the first brocade package, and the external signature of “Three kinds of Song Tuo in the secret collection of ten seal characters, and the approval record of Luochuan hermit”. Ink paper is 34.1 cm long and 65.6 cm horizontal
Seal the seals of “Treasure in the Court”, “Treasure of the Emperor Qianlong”, “Xiang Zijing Family Collection”, “Inner House Book”, “Dongyang Examination and Approval”, “Ancient Objects in the Court”, “Zhenjun Examination and Collection of Song Tuo”, etc. It is framed into a volume by the Preface to the Orchid Pavilion, the Declaration Table and the incomplete Huangting Sutra. Shizhuan Room is the name of Zhenjun Room. Zhenjun (1857-1920), Manchu, Guaerjia, was born in the court. After the Revolution of 1911, the name of the Han Dynasty was changed to Tang Yan, the name of Shijiang Taoist, and the name of Luochuan Buddhist. The introduction of Zhenjun Book: “Only three gold products”. The end of the book was shocked by the postscript of Jun: “After collecting the calligraphy for decades, there were quite a few kinds of Song Tuo, but they were finally crowned with this title. All three kinds of calligraphy were famous and famous, and they were also matched with the famous Tuo, which is believed to be a special thing.” The nine words “Pavilion”, “Lie”, “You” and “Sheng” in the preface to the Orchid Pavilion have been damaged, and the five words “Turbulence”, “Flow” and “Belt” have not been damaged. In fact, the five words that are translated do not damage the original Orchid Pavilion. The seal script at the end of the post: “I got here at Haiwang Estate on February 5, Jiawu, the 19th year of Guangxu’s reign. Tomorrow’s snow is suitable for the white stone event, and I believe in the strange fate. In the third year of Yue’s reign, I put it on February 25.”. At the end of the volume, there is a Zhenjun postscript: “The right” Lanting “is a damaged version of Tuo Jiu characters in the Northern Song Dynasty. It has been compared with Wang Rongfu’s book. It is a solid stone, and the Tuo seems to be in the front. The first three lines are clearer than the other, and the most obvious strokes are ‘old age is coming’.”