“Jade Linglong” Qin

[“Jade Linglong” Qin]

“Jade Linglong” Qin, Tang Dynasty, with a total length of 122 cm, a hidden space of 111.8 cm, a forehead width of 19 cm, a shoulder width of 19.6 cm, a tail width of 13.6 cm, and a thickness of 4.8 cm
“Jade Linglong” zither, phoenix style, made in the Middle Tang Dynasty. According to the cloud, “Fengshi style” was created by Wei Yangying, so it is also known as “Wei Yangying style”. Black paint, pure antler gray tire, hair irregular small snake belly broken, from the wound and the back of the peeling paint, we can see that the gray tire has a loose yellow cloth as the bottom. Tongmu Zhuo, clam emblem, red sandalwood Yuewei. The mahogany foot sticks to death, which is done by the later cultivators
The whole piano is still thick, with round marks on the neck and waist, and thin slopes under the forehead. Round dragon pond, flat phoenix marsh. In the belly, when the sound is raised at the dragon pool, when the phoenix marsh is in the sound, open a round ditch. This feature has been seen in the “Jiuxiao Huanpei” zither. This zither only appears in the round shape of Gai Nailong Pond in the Phoenix Marsh, which is not suitable for ditching. For this technological feature, see “Dongpo Miscellaneous Book – Qin Matters” on Lei Qin, which is unique to Lei Qin in the prosperous Tang Dynasty
There is an inscription on the back of the zither, and the name of the zither is engraved on the top of the dragon pond with a running script of “jade exquisite”. There was a big seal under the pool. The words were covered by paint and could not be distinguished, while the impression was still there. There is no paragraph in the abdomen. The piano has damaged the paint in many places, causing damage to the title. After being repaired by inferior workers, the paint was applied hastily and abandoned halfway
The “Jade Linglong” zither was originally stored in Chen Weibin, Hunan Province, and was purchased from Yang Boxiu. In the early 1950s, Guo Moruo suggested that the zither be donated to the country, which was accepted by the Cultural Relics Bureau of the Ministry of Culture at that time, and then transferred to the Palace Museum for collection

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