Wang Xun’s running script Bo Yuantie

[Wang Xun’s running script Bo Yuan Tie]

Bo Yuan Tie, Jin, Wang Xun’s script, paper, running script, five lines of 47 characters, 25.1 cm in length and 17.2 cm in width
Bo Yuan Tie is a letter written by Wang Xun of Jin Dynasty (350-401). The original text: “Xun suddenly heads up, and Bo Yuan wins his career. He is the treasure of the group. He is determined to win the battle, and is determined to travel well. He won this idea without any doubt. The difference is as ancient as yesterday. He is far away from the mountain bridge, and does not face each other.”
At the front of the volume, there are four characters in Qianlong’s imperial book: “Jiangzuo Fenghua”, with a seal of “Qianlong’s imperial pen” on it. And the imperial inscription: “The authentic works of the Tang people are rare, Kuang Jin people! The right army fast snow posters and the Great Order Mid-Autumn Festival posters hidden in the inner government are all rare. Now we have this picture of Wang Xun, which is the home style of cocoon paper, and the letter is as beautiful as it is! More than a few clear rewards, but also a help from the pond. The imperial recognition.” The two seals of “Qianlong Chenhan” and “Humility Longjian” are sealed
The former imperial book across the water: “The family learns from the world, and the sage of grass has a legend. Xuanhe Shupu” has 12 characters. There are three seals below: “Qianlong Chenhan”, “Linchi in a few moments”, and “Delaying books is fate”
Another imperial recognition: “Qianlong Bingyin, in the spring, received this post from Wang Xun, and then hid it with the two tracks of the Mid-Autumn Festival in the greenhouse of the Hall of Nourishing the Heart. Yan said Sanxi Hall, the imperial pen. Another recognition”, sealed with the two seals of “Qian” and “Long”
On the back of the water, there is Dong Qichang postscript of the Ming Dynasty, and then there is Qianlong’s imperial brush painting of the dead branch inscription, which reads: “Wang Xun’s postscript and his Chang postscript can both be played with treasure, that is, the side of the pool can also be polished and loved, and the dead branch inscription can be made to match it. Qianlong Bingyin Chunzheng, Changchun Book House Royal Recognition”, and the seal of “several leisure and happy feelings”. After that, there is a seal of “Moyun”
At the end of the volume, Dong Bangda was asked to draw. Bangda had a record, and Shen Deqian wrote the “Song of Sanxi Hall”
There are inscriptions of Dong Qichang and Wang Kentang at the back of the volume
There are two ancient half-prints in the front and back of this picture, which can’t be recognized. The seals sealed in the Qing Dynasty include: “Shiqu Treasure Collection”, “Qianlong Appreciation”, “Qianlong Imperial Treasure”, “Sanxi Hall Precise Seal”, “Suitable for Descendants”, and “Nourishing Heart Hall Treasure Collection”
The receiving seal is stamped with “Guo Zhizhai’s Secret Collection”
This post and Lu Ji’s “Pingfu Post” are the only two famous legacies of the Jin Dynasty
As a “calligrapher”, Wang Xizhi set an example to hundreds of generations. However, his works are only handed down in the form of copy, copy and engraving, and none of them are authentic. The Wang family has been good at books for generations, and famous writers have emerged in large numbers. However, the fate of their works is largely the same. Wang Xun, the nephew of the only Xizhi family, was lucky to have this note left on earth. We can see the subtleties of the “two kings” cursive calligrapher’s pen, which cannot be conveyed by the engraving and double-tick ink copy
Wang Xun himself has a title. This post is handsome, unrestrained and fluent. It has its own face on the basis of the Wang family style, and has a lofty position in the history of Chinese calligraphy
Wang Xun’s “Bo Yuan Tie” entered the inner mansion in the eleventh year of Qianlong’s reign (1746). After Qianlong’s review, it was hidden in the end room of the West Warm Pavilion in the Hall of Nourishing Heart with Wang Xizhi’s “Clear Tie in the Fast Snow” and Wang Xianzhi’s “Mid Autumn”. In the 12th year of Qianlong’s reign, 134 authentic works of calligraphers in the Wei, Jin, Tang, Song, Yuan and Ming dynasties, including Sanxi, were selected from the Neifu, and the stone was copied and named Sanxi Hall Calligraphy. The “Ancient Reading Building” was built in the North Sea of the West Garden. The above carved stones were embedded in the wall of the building, and the rubbings were circulated to show the model of Linchi. The original of Sanxi is still hidden in the Sanxi Hall of the Heart Cultivation Hall
After 1911 and before Puyi went out of the palace in 1924, the “Bo Yuan Tie” and “Zhong Qiu Tie” were hidden in the Shoukang Palace, where the imperial concubine of Emperor Jingyi lived. When Puyi went out of the palace, the imperial concubine of Emperor Jingyi took this note out of the palace and then scattered it. In 1951, Premier Zhou Enlai instructed to buy back the “Boyuan Tie” and “Mid-Autumn Tie” from Hong Kong and hand them over to the Palace Museum for collection
Xuanhe Calligraphy Manual, Essays of Painting Zen Chamber, Calligraphy and Painting Record, Life’s Magnificence, Moyuan Huiguan, Collection of Calligraphy and Painting in Shigu Hall, Peiwenzhai Calligraphy and Painting Manual, Shiqu Treasure Collection, First Edition, Ancient Calligraphy and Painting Over-eye Record and other books.